‘And this is how we danced: with our mothers’
white dresses spilling from our feet, late August
turning our hands dark red. And this is how we loved:
a fifth of vodka and an afternoon in the attic, your fingers
sweeping through my hair—my hair a wildfire.
We covered our ears and your father’s tantrum turned
into heartbeats. When our lips touched the day closed
into a coffin. In the museum of the heart,
there are two headless people building a burning house.
There was always the shotgun above the fireplace.
Always another hour to kill—only to beg some god
to give it back. If not the attic, the car. If not the car,
the dream. If not the boy, his clothes. If not alive,
put down the phone. Because the year is a distance
we’ve traveled in circles. Which is to say: this is how
we danced: alone in sleeping bodies. Which is to say:
This is how we loved: a knife on the tongue turning
into a tongue.’ by Ocean Vuong
Interesting enough, we’re still traveling in circles: beautiful & cryptic ‘Home Wrecker’ came via Istanbul, the yellow ‘Rotten mangos’ photographed by Emmanuel Rosario intersects with Brussels and then everything is orchestrated in Berlin with Liima.